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mark flanigan writings

from Exiled On Main Street:

3.3, or The City of Cincinnati Refuses My Invitation to Finance Me

     Funny, isn't it? How those not paying attention are always first to want to direct.... They should've left me sleeping. They had me where they wanted me, but were incapable of leaving well enough alone. Here in a zoo, as it were, uninspired by bear comforts and a belly full of easy food. They should have listened, for I even warned them this might happen.
     It begins like this: There was a time, now more than a decade ago, I actually squandered a great deal of my natural resources attempting to market myself as a poet.... The goal of the arts program is to provide support for Cincinnati's emerging and established artists.... My perceived in-road back then was to infiltrate the various lit mags to such a degree that everyone, even you, would instantly recognize my name.... to encourage excellence and professionalism in the arts.... Publishing houses would be contacting me in the end with open invitations to print.... to encourage the development and presentation of art that benefits Cincinnati's ability to sleep without dreaming.... I licked hundreds and hundreds of stamps, read even more bad poems, while sending out a handful of my own.... to encourage increased access to mainstream and community arts opportunities.... only to get in return almost as many self-addressed envelopes; form letters mostly, devoid of human hands.... to encourage the use of arts as a means to increasing understanding of everyone, single white males included.... I forget at what point I gave up, just know that I did.... and to encourage communication among artists.
     Months passed, so it was strange to still be receiving stray prodigal letters addressed to the self by the self every now and then. One such day I opened an envelope and found myself surprised to see actual ink. I remember it was scrawled across a yellow post-it note, and that it had been pasted directly on top of the first poem, as if to hide it. It read: "Now why don't you grow up?"
     Despite no longer caring, my ego was bruised nonetheless. The place from whence it had been sent back from was one of my favorites; they published verse that in my estimation was lively, a rare occurrence in that arena. It having been such a long while since I had sent it out, I was curious to see what I had done to prompt such an inspired response, and thus peeled back the note to find this:

Lip Service

POET available for social events
and parties. You find the cause,
I'll bring the party favors (ie.
cunnilingus y fellatio And MUCH,
MUCH more). Let me breathe some
life into your party.

     Here we go. Again. You should have left me sleeping. Application requirements: Application. Artist profile. One set of materials documenting the applicant's recent work (original manuscript 10 to 15 pages in length). Documentation of public performance. Documentation of an intent to collaborate.
     I wouldn't even have to get started right away. I had all of the above on hand, somewhere, and as such could afford to concentrate on keeping the things that got me here going in the meantime....
     Once I began, though—four days before deadline—I realized just how ready I in fact was. I had waited just long enough. Paid some dues, did a little work. It was, at last, harvest. Time to be reimbursed. I also noticed, once I had started, that there was no way in hell I would ever finish preparing my application in due time, not to specification at least. My response was typical: I wouldn't sleep until it was finished and properly. I could barely stand up straight at work but, goddamnit, I wasn't about to miss the bus this time. You already paid your fare, I reminded myself, so pop another pill and see this through. Who wanted to be around tomorrow anyhow, if it looked the same as today?
     When I did finally hand in my materials, a full hour before I had to, I did so confident that I had done a good job. So much so, I thought that the only thing that could come between me and my money was some kind of tragic mix-up. I gave my box over to the receptionist, who truly looked inspired to be part of the artistic process. She chewed her gum while I waited for what was next. Yeah? she asked. I was convinced that it was in my best interest to get a receipt of some sort, to prove that I did indeed hand my homework in on time. "We don't do that here," she explained.
     Things were quiet for a while. At odds moments, mostly while at work, I would wonder about my box. Someone could be reaching into it right now, I would think, taking me home with them, with plans to read me tonight while in bed.... Sooner or later, they had no choice. And the words would get through, somehow. I had made sure of as much.
     A few weeks later, I received two letters from the city of Cincinnati on the same day. The first one was, innocently enough, a notice that I had failed to pay city taxes in the year 1997. The second informed me that
     There will be a public discussion of all individual arts grant applicants on April 20, 2002. Attendance is strongly suggested. Each proposal will be chaired by a board member chosen at random, and each member of the committee will vote on each application on a scale of 1 to 5. A final grade of 4.0 or higher is needed for said proposal to become a semi-finalist for funding.
     I took the hint and showed up. Five minutes were allotted for the discussion of each individual artist's proposal and life's work. A receptionist kept time in back, and didn't hesitate to remind us of the fact. Five minutes, and yet there was pause taken for refreshments. "Help yourself," the chairman of the board declared, "It's for everybody."
     May as well check out the digs, I thought. They were standard. All the various things looked decent, but I rooted around for something that I really needed, saying, "Well, I see the sour cream, the chips, the peanuts and bagels, but I can't seem to find the antibiotics. Where you keep them? Inside this cabinet?" The board members seemed a bit surprised—suddenly I thought maybe I should have worn a different pair of jeans—when my friend Mac passed me a note explaining that I wasn't permitted to address the board. So, I sat down, and waited for my name.
     All of a sudden, I wasn't so certain of myself. Maybe I overestimated the world's need for a CD of me? It was possible, no doubt. I sat there and studied the process.... Noticed that some of the board members seemed to be articulate and prepared, while others seemed more like last-minute replacements that were surprised to find that they had been plucked off the street and put down at the table. I wondered who my chairperson was. He or she, at least, would recognize me....
     And wouldn't you believe my luck?: My chair was a minister. One whose specialty was music. Anybody knowing me at all being aware just how much I hate both. I shifted my wait, so as not to seem so heavy. Me, my work, judged by a man of the cloth.... What was next? The pope being brought in to judge the year's best porn?
     You would think one could only forever wonder about what such a man might think upon reading lines like, "Religion a watch strapped to thinning wrist of a corpse." Or, "Prayer an attempt to pin on things smaller than particles of dust any impotency."
You would think one could only wonder, if it wasn't for my luck.... My chair presented me while exuding an enthusiasm similar to that which I might feel if I was forced to sit through one of his services....
     His thoughts?: 2.0
     Then passed across the table, I was, nibbled on in between peanuts being popped into mouths: 2-4-3-3-4-3-2-4. My average?: 3.3. The calculator announces Mark Flanigan is not a semi-finalist.... My friend Mac pats my knee and says, don't worry, I'll probably get the guy who can't speak English. Which he did, with similar results. I watched on with a mix of awe, false bravado, and hell who cares anyhow. It would have only meant more work anyway, you know.
     Once outside I realized I was running late for work. I got in my car and immediately tried to figure out just how many more payments I owed on the damn thing. Drove it up to a light, stopped despite myself. Looked to my left and saw that the car next to me carried one of the board members. She's picking her teeth—shards of carrots and pieces of me, shards of carrots and pieces of me—flicking them out a cracked window. I can just barely make out the song she is listening to:
     
     "Speak to me in a language I can hear
     Humor me before I have to go
     Deep in thought I forgive everyone
     As the cluttered streets greet me once again
."

     The soundtrack spills out the window and falls onto the street besides me, where it belongs. We wait for oncoming cars, they can't get there quick enough for me, but instead I end up at the warehouse after all.
     And tonight every order I check is for thirty-three cases. That, or three hundred and thirty. I check to see what trailer I should load next, and my sheet says number 33603. But I haven't completely lost my sense of humor about things. Not yet. I get through it, somehow, and head home. Park where I usually park once there. Walk the rest of the way.
     There's a panhandler I haven't seen in awhile crossing the street to ask me for some change. For the bus, he says. I always like it when it's for bus fare, because there is always the chance, however slim, that they may actually be going somewhere else. I reached into my pocket, careful not to fish out every quarter at once, when he explains unnecessarily, "Yeah man, I gotta catch the 33."
     Aww, fuck off, I tell him, walking away abruptly. I look at him the whole time while crossing the street, even stopping at one point and asking "Why'd you have to do that?" before continuing. I must have looked like a madman to him, but his grin betrayed a knowledge of what he had done. I put the key in the door, raised my head with an eye to admonishing the heavens before going in, but noticed instead my address: 1333.


   
 "I know I can't be late
     Supper's waiting on the table
     Tomorrow's just an excuse away
...."

     Nothing to do, then, but close the shades and turn out the lights. And in the morning be awakened by the sound of the caravan as it lumbers up Main Street, passing through on the way out of town. I go to the window and see that the horses look tired but determined as they are being led to water. The door bell rings, soon I hear my mom saying "no Mark can't come out and play just now, he's still sleeping," but I already got my socks on and I'm busy scanning the room for my favorite T.
     After careful review, I'm sure it's around, somewhere.